Tamden Records
Every song written has a history regardless of what anyone tells you. Usually songwriters hold thoughts or experiences in their minds for years and years and all of a sudden in some song they are writing, they draw upon these unusual experiences and use those experiences to describe something that is happening in the song they are writing. In the songs I have written, things are no different for me, I draw on experiences and thoughts from my past in the songs I have written and recorded. I'll try to explain each song I wrote and give you an incite as to where this song came form.
Kindly Keep It Country
Reminisces
Cooly Mooly: This song came about one day in 1962 when I was supposed to be practicing for a show I was going to give. I had just purchased the song by Bent Fabric called Alley Cat and was fascinated at how it was put together. I liked the song a lot. I used the same chords as Alley Cat and did a different arrangement and I came up with Cooly Mooly. In June of 1963 I recorded it and sold about 27,000 copies at that time.
Judy's Clown: Recorded in June of 1963 on Owl Records. Here is a story that just about every boy or girl has experienced at one time or another in their life. It's written about a girl whose name was Judy. And just like the song says she made a clown out of me. I called her one night for a date and she told me she was going to be out of town with her parents. I decided to go to the local drive in and get a bite to eat and as I was sitting there eating who should walk into the place but Judy with another fellow. I then went home and wrote the song Judy's Clown.
My Daddy: Recorded in June of 1964 on the Owl Record Label. There are two men that have stood out in my life. One was my father and the other was my father in law. Both of these men were super. I wrote My Daddy back in the year of 1963 right after I recorded the songs Judy's Clown and Cooly Mooly. The song was written as a tribute to my dad. A kinder person i have never known. When my dad passed away in 1989, his funeral represented some of the finest people in the world, but it also represented some of the poorest people financially. It represented people that came to his funeral because of what my dad stood for. The stories of how kind and how caring my dad was were as numerous as the stories of how much this man loved God. In my tribute written in 1963 I realized then what a special man that my father was. Close to 1000 people came to pay their respects to my dad at his funeral. My Daddy was one of the easiest songs I've ever had the pleasure of penning.
Diane: This was the flip side of My Daddy. Diane came from an experience that happened early in my high school years. Her daddy owned a body shop in the local town and she was really something to look at. Although I never dated this lady or ever had anything to do with her, she was one of those things that God put on earth to admire. Desire is something we all have experienced at one time or another in our life and I had this desire to have some kind of relationship with this woman. I believe this woman was three or four years older than I was at the time that I wrote this song. I don't even think she knew that I wrote the song for her. I don't believe I even said Hi to her. I was pretty shy back in those days and pretty much kept my thoughts to myself. The fact is that by the time I released Diane she and her family moved to heaven knows where. That was 44 years ago and to this day I couldn't tell you where she moved to.
Fortune Teller: Fantasies do the world make. I read that somewhere along the way and this song is living proof that kind of thing happens. This song stems from a trip to the local fair and at the fair was a really good looking Fortune Teller. At least that's what the sign said. A bunch of us young studs were enjoying the fair when someone spotted this sign. The girl that was supposedly the Fortune Teller was we thought maybe a gypsy. She was Beautiful. She had a dark complextion with dark eyes and black hair and was gorgeous. We all joked about our visit with this woman. However I went one step further and wrote this song about her and I teaming up to spend our life together. As my friend told me when I played the song for him. "Only in your dreams." He was right. In February of 1966 I joined Uncle Sam's Army and went away for three years. But you know to this day I can still see that beautiful woman that told our fortunes in the summer of 1965. By the way, nothing that she told me that day has ever been my experience in this life.
You Are The One: This song came about by experimentation. Actually what I wrote was the melody at first. I played this song instrumentally for quite a while before adding lyrics. I was at a point in my life when I was experimenting with different chord progressions. Every musician that I know of goes through a stage like this. I discovered the chords C major, A minor, D seventh and G seventh. I also found that if you threw a E minor into this chord progression it made for an interesting melody. People seemed to like the sound of this song but one time when I played it at the Carousel in Wausau a man from the Chicago area suggested that I put words to this song. That's how the song You Are The One came about to be.
Walking The Floor: This song was recorded three times but never released. The song actually came from a hit that was recorded by Ernest Tubb in the 30's. It was always one of my favorite songs out of country music and I tried to write something conveying the same message, hence the reason it is so up-tempo. A friend of my dad's listened to the song and suggested a word change. I agreed and that's the way it was recorded in 1963. Mr. Tubb's composition is called Walking The Floor Over You and my composition is called Walking The Floor. Although similar in tempos and song titles, the actual song and melody don't even come close to each other. I've had several people in the recording industry want to do this song on their recordings but because of selfishness or pride or whatever, I never gave permission to anyone. Although most of my songs are based on real life, this one was not. I simply wanted to duplicate a sound that I liked in my past and create something different using the same principles. That's where the song Walking The Floor came from.
Searching: This song was an attempt to write a song that both female and male could sing together. The idea came from watching the Ed Sullivan show one Sunday night and I saw two artists, male and female singing back and forth kind of answering each other. I said I can write a song like that and I wrote Searching. To this day i couldn't tell you who the artists were that I heard on the show. But when I was in the studio with my brother and cousin, I was looking for something to put on the flip side of Evil Girl. My brother suggested Searching. I made the comment that the song was written for two people male and female to sing together and he asked, So What? And so it came to be that I recorded Searching for the back side of Evil Girl.
Evil Girl: This song is basically the way it happened. When I got out of service in November of 1969 I met this young filly and had some kind of relationship with her, or so I thought. This young lady had a mean streak in her that I guess she just couldn't control. Her idea of dating someone was pretty much like Delilah in the Bible. She took great pleasure in hurting the ones she was involved with. It was really quite a shame because she had everything going for her. She had intelligence and good looks. After I had heard from her girlfriends what her battle plan was I basically turned the tables on her and left her standing quite embarrassed instead of becoming one of her victims as so many before me had become. This was the song I went into the studio to record in early 1970. I got a great pleasure out of giving her the first record off the stack and I was not on her popularity list for quite some time. That was over 35 years ago and this same girl is married now and has four children.
Tonight: Now back in the early 60's and 70's I probably set my sights too high on the woman that I tried so hard to impress. They were generally the equivalents of Annette Funicello and Shelly Fabares and Ann Margaret and Sally Fields and they were quite frankly a lot higher class than I was at the time. But then again you can't blame a man for trying. Anyway the songs that I wrote in the early 60's and 70's generally dealt with woman that I thought would look nice hanging on my arm. However the description tall, dark and handsome eluded me in my early days. I was not the specimen that many women wanted anything to do with. I was short, red haired and freckles all over my body. The only female that was interested in at that time was my loving mother. So i would write songs like Tonight to make up for the loneliness that I was experiencing. Tonight, hey what you doing tonight the first line in the song, simply stated that in other words I was about to be shot down once again when asking for a date with an angel. But hadn't it been for that time in my life of trying for girls that I shouldn't have had my sights on, I would not have been able to write songs that dealt with life the way it was back then.
No Love: This was the time when Tom Jones entered my life. 1970!!! The girl I was dating I know, beyond the shadow of a doubt, had Tom Jones offered to put his shoes under her bed, I would have become a thing of her past. This girl never missed a Tom Jones show. Every week I sat there on the couch with a very intrigued and eyes glued to the TV set woman who didn't even know that I was sitting beside her on the couch when Mr. Teen idol Tom Jones was giving his show. When Tom Jones was present, I was not. This young lady had a real hang-up for Tom Jones and so in the song No Love I wrote about her and her love affair with her idol Tom Jones and me. That was 37 years ago and you know I still think about her even to this day. Wondering if she ever got over Mr. Tom Jones... Guess I'll never know.
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